
A MOVEABLE READ BLOG
This section of the website serves as a journal space for ongoing discussions on a variety of subjects but not limited to, Hemingway, literature, and the arts. Authors both named and possibly unnamed will post all manner of topics and discussions. Please note while the Ernest Hemingway Foundation of Oak Park (EHFOP) will moderate this page, it does not mean that we condone or sanction any specific viewpoint. If you are interested in posting to the page, please contact us HERE with specifics and we will advise on next steps for possible publication on our site.
Ernest Hemingway published In Our Time in 1925, a year when people still were reeling from the impact of World War I. Hemingway and others had believed World War I was going to be the war to end all wars but quickly learned it was a futile blood bath. There were no heroes—just passive victims hit by shells in trenches, poisoned with gas, or scorched by flame-throwers.
In my first blog on Hemingway’s early book, in our time (1924) I wrote that the short vignettes within the book show how Hemingway’s distinctive voice was forming.
Where did that style come from? One profound influence was his work as a reporter for the Kansas City Star when he was 18. Though he only stayed seven months, the paper’s style guide—favoring short sentences, active verbs, and ruthless clarity—became the foundation of his literary voice. He later said it was “the best rules I ever learned for the business of writing.”
A strange book, containing the seeds of Hemingway’s mature style
What was Hemingway’s “first book”? Some confusion or disagreement exists in the biographical literature about which of Hemingway’s books came first.
Then I'll just have to find some other way of persuading Ernest Hemingway to get out of my head, to move along, to find some other poor soul to bother. Ignoring him doesn't work. Hemingway's stubborn ghost just hangs around, sporting a slight smile on that broad handsome face, a smile that tends to drift toward a know-it-all smirk. His fists are usually planted on his hips and his feet are spread wide apart, as if he's bracing for impact from an onrushing linebacker -- or maybe just a disgruntled literary critic.
Fourth in a series of conversations with Nancy Sindelar about her new book, Hemingway’s Passions: His Women, His Wars, and His Writing. Available here. Check out the first three blogs at #1, #2, and #3, and watch a preview of the book.
Virginia Cassin and I once led a bus tour of Hemingway site in Oak Park with heads of college English departments. They happened to come from the four continents where Ernest had written. Our tour bus was a microcosm of the global village. I asked our passengers who the most significant author in their curricula was. All but one replied, “Hemingway.”
Third in a series of conversations with Nancy Sindelar about her new book, Hemingway’s Passions: His Women, His Wars, and His Writing. Available here. Check out the first two blogs at #1 and #2, and watch a preview of the book.
We'll take a quick look at the novel, John Halifax, Gentleman by Dina Maria Mulock Craik, to explore Clarence and Grace Hemingway’s affection for the quintessentially Victorian John Halifax, then see how Ernest Hemingway went in a completely different direction.
A continued conversation with Hemingway scholar Nancy Sindelar—author of a new biography, Hemingway's Passions: His Women, His Wars, and His Writing—we began the exploration of how the many women in his life influenced his writing. We continue here.